All posts by Mark

I’m the founder of The Hawaii Project, a new book discovery engine. Previously I was responsible for Product Strategy and Product Management at Telenav, after they acquired goby. Prior to that I was the ceo of Goby, since acquired by Telenav. Before that I did time at Endeca, PTC, Netezza, Evans & Sutherland in a variety of R&D, professional services and business development roles. When I’m not obsessing over work, I’m a proud husband and father of two great kids, love to play tennis, am a compulsive reader and book collector, and am really into way too many different kinds of music. (What’s with the Viking you might ask? While the vikings were known to split a skull or two, I mean more the verb than the noun, as in “to go adventuring” in the sense of the Old Norse fara í víking. I’ve always been interested in the vikings and started using viking2917 as a handle to avoid spammers way back when, and have just kept using it….)

And in Viking news…

Apparently, at least one American Indian was brought back to Iceland by the Vikings.

Via: http://news.nationalgeographic.com/news/2010/11/101123-native-american-indian-vikings-iceland-genetic-dna-science-europe/

Five hundred years before Columbus sailed the ocean blue, a Native American woman may have voyaged to Europe with Vikings, according to a provocative new DNA study.

I assume some novelist will get ahold of this soon and write the book!

A quick look at Twitter Music

Twitter recently launched a social music discovery site, music.twitter.com. It’s pretty interesting. There have been a variety of music discovery music sites launched recently, including sites like Spotify, Shuffler.fm, ex.fm, Turntable.fm, and a host of others. Only a few of them have an explicit social angle. Spotify and Turntable are probably the most social of the lot. I’ve long since abandoned Turntable like everybody else (talk about yesterday’s darling!), whereas Spotify is one of my primary music consumption environments – although, the social piece isn’t really why I use it.

Twitter music, unsurprisingly, draws its inspiration from your twitter stream, and the larger activity happening on twitter. As a result, it’s naturally personalized, but also leverages all the activity happening in the twitter-verse. And draws on a broader crowd than Spotify (because it uses Twitter, where I have a large social graph, vs Facebook, which is more tightly controlled).

I think they’ve done something simple and elegant, and I’ve gravitated to it faster than many of the other music discovery services.

Basically, they present a vaguely pinterest-style view into songs, and the songs are selected according to one of a few primary criteria, and then ordered by recency. In particular, they show songs that are:

• Popular (new music trending on Twitter – essentially, a time-bounded popularity metric)
• Emerging (hidden talent found in the tweets – I am not 100% sure how they are doing this, but I expect they are looking for songs with a high-velocity recent tweet stream)
• Suggested (Artists you may like – presumably artists that are similar to artists I follow, see below)
• Now Playing (music recently tweeted by people you follow)
• Me (music from artists I follow on twitter)

All of these options could readily apply to other forms of content discovery – e.g., a books or reading discovery engine. But whereas Twitter music naturally generates a “stream” of music to listen to, all the books recommendations engines produce more of a static “if you like x you’ll like y” recommendation. For example, see Bookish, recently launched with much fanfare, but with a lukewarm response from the books community. It’s a lot of work to get recommendations out of Bookish – I have to come up with a book I like and get recommendations against – vs. a much stronger “push” user experience.

I found the “Suggested” music of Twitter Music interesting, but had a hard time figuring out why the particular songs were recommended. I expect it’s because they were from artists similar to artists I liked, but it wasn’t clear. Twitter Music could use a “why was this recommended” button. The “Me” music, music from artists I followed, I found really fun. But, it seems quite static. In the 3 days I’ve been playing with it, the music hasn’t changed. Not sure why that is.

A downside of Twitter Music is it designed to use with a companion music player, in particular Spotify or Rdio. With Spotify, you need a Premium account to stream the songs – I found twitter music sufficiently interesting I sprung for a Premium upgrade to Spotify – an extra $5/month over my Unlimited membership. Interesting. I wonder if Twitter gets a spiff on that?

Here’s a couple of screenshots:

Screen Shot 2013-04-22 at 12.04.22 PM

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Overall, I found Twitter Music to be a surprisingly strong offering – simple, elegant, and “right” surprisingly often. I hope that they don’t build Twitter Books, because I want to!

The Crook Factory by Dan Simmons

Dan Simmons has written a number of fantastic books – some of my favorites are Hyperion, Illium, and Flashback, mostly in the Science Fiction realm. But he’s wide ranging – Drood was a widely regarded novel based on the life of Charles Dickens and he’s also written various Horror novels.

In The Crook Factory, Simmons tackles a fun meme – the semi-fictional novelization of little known or improbable events. This is territory that reminds me of one of Tim Powers’ best novels, Declare, which somehow manages to put together Kim Philby (the super spy), Lawrence of Arabia, Djinn and Nazis. In this case Simmons isn’t channeling the supernatural, just the world of 1940s Cuba and J Edgar Hoover – and yes Nazis and Marlene Dietrich too. Oh, and Ernest Hemingway.

Did you know that Hemingway was a spy? Me neither.

The Crook Factory plays out through the eyes of Joe Lucas, a fictional FBI agent with a history of bending the law and being the FBI’s goto person when dirty tricks or semi legal activities are involved

Joe is sent to become part of, and spy on, Hemingway’s burgeoning spy ring – the crook factory. Through Joe we meet, and become very close to, Ernest Hemingway – the writer, the lover, the prodigious drinker, the pugilist, the sentimentalist, the blowhard, the trickster. The novel renders Hemingway in amazing depth.

Joe and Ernest are off to fight the Nazis and sink subs (seriously), as well as the fighting off the local Cuban police while watching out for any number of competing intelligence agencies.

Crook factory is a great adventure and a fantastic history lesson all wrapped in one. Virtually all of the novel with the exception of Joe Lucas himself is well grounded in fact. I also gained a much more realized view of Hemingway the man (albeit fictionalized), and the book inspired me to return to some of Hemingway’s novels (e.g. For Whom the Bell Tolls) with renewed appreciation.

If any of this sounds interesting, get The Crook Factory – you won’t be sorry.

[I received a complimentary copy of The Crook Factory through the excellent LibraryThing Early Reviewers program.].