All posts by Mark

I’m the founder of The Hawaii Project, a new book discovery engine. Previously I was responsible for Product Strategy and Product Management at Telenav, after they acquired goby. Prior to that I was the ceo of Goby, since acquired by Telenav. Before that I did time at Endeca, PTC, Netezza, Evans & Sutherland in a variety of R&D, professional services and business development roles. When I’m not obsessing over work, I’m a proud husband and father of two great kids, love to play tennis, am a compulsive reader and book collector, and am really into way too many different kinds of music. (What’s with the Viking you might ask? While the vikings were known to split a skull or two, I mean more the verb than the noun, as in “to go adventuring” in the sense of the Old Norse fara í víking. I’ve always been interested in the vikings and started using viking2917 as a handle to avoid spammers way back when, and have just kept using it….)

Launching Today. We find great books you’d never find on your own.

books2After nearly a year of development, it’s time to raise the curtain on The Hawaii Project. Come on in — the water’s fine!

People are drowning in new books (Bowker says the number of books published is up nearly 500% since 2008, and that even excludes the indie books published with no ISBNs!). Some say “the glut is good”, but readers are left adrift on an ocean of new books trying to find the books that matter.

Yet, online book discovery is broken. The US book market is $15 BILLION and the most common discovery method is offline word of mouth. Broken.

Here’s why:

  • People are busy. Nobody has time to search & browse for stuff.
  • The ratings and review regime is corrupt & broken.
  • Social Discovery is the wrong model — my friends don’t read what I read.
  • There’s some great curators out there — but their taste and mine only sometimes align. And who has time to keep up with them all?

What if there was something that watched what the curators and influencers wrote about, then brought the relevant things to you? Kind of like Medium or Flipboard, but for books? A kind of Personalized Curation? 

The Hawaii Project watches a curated slice of the books web, figuring out what the curators, influencers and tastemakers are writing about, and then matches it to the books, topics and authors you love — bringing you great books matching your interests. Great books to read, and a highly tailored news feed filled with interesting articles to read about books and subjects you’re interested in. The curation ensures the innate quality is high, the personalization ensures it’s relevant.

In the coming weeks we’ll be exploring this in more detail, but for now, the best news is: it’s available NOW. Just head over to http://www.thehawaiiproject.com and sign up. A basic account is free.

Reading and literacy are powerful forces for good. We started The Hawaii Project to share our love of books and to use entrepreneurship to create an engine to generate cold hard cash that we’ll share with deserving literacy non-profits. So the less fortunate of us can still grow to love books and learning. We generate revenue through our Premium Accounts, and 10% of our revenue goes to fund 3 great literacy non-profits.

Join us and Do Good by Reading Well.

 

Pirate Hunters, The Search for the Lost Treasure Ship of a Great Buccaneer. By Robert Kurson.

Screen Shot 2015-05-30 at 9.40.26 AM“If you like pirates, meet me in New Jersey”.

With that, Kurson is off to meet John Chatterton and John Mattera, world class divers and treasure hunters, who are chasing the ghost of Joseph Bannister, one of the legendary (but real) pirates of the Caribbean, and his ship the Golden Fleece. Only one documented pirate ship has ever been found – the Whydah, off the coast of Cape Cod.

Kurson does a great job not just of telling the tale of the search for the Golden Fleece, but of taking you inside the world of treasure hunters and paying homage to the grand old men of the industry. Tracy Bowden owns the lease rights for treasure hunting in the Dominican Republic (or Hispaniola as the pirates knew it). He’s got a lead on the shipwreck site, but is too old to chase it, and Chatterton & Mattera are masters of the new technology-driven world of ship finding. He brings in Chatterton and Mattera to go after it. On their first visit to his house, Chatterton takes a break to go to the bathroom. Upon walking into the bathroom he finds a bathtub full of “pieces of eight”, spanish silver coins. The bathtub has about 5 million dollars worth of treasure in it. Throughout the hunt for the Golden Fleece, the partners visit other legendary treasure hunters to seek advice or information, some humble men worth millions and others flashy.

Chatterton and Mattera are just about to launch on a search for the San Bartolomé, after years of prep. But the lure of finding a true pirate ship is too strong. They abandon their quest for the San Bartolomé and they’re off to the Dominican in search of the Golden Fleece.

Kurson does an admirable of job of weaving the history of pirates into the book, including interesting diversions such as how limbs were amputated after battle (turns out in that era, being in the Navy was probably the best place to have an amputation done as they were the best at it). And he visits many historical sites such as the museum in Key West were one of only two remaining original Jolly Roger flags is kept.

He also explores the details and dangers of deep sea diving and treasure hunting. Chatterton and Mattera are both larger-than-life figures. Chatterton is a long time diver, TV host, Vietnam war medic, and treasure hunter, while Mattera grew up rough-and-tumble, dancing on the edge of organized crime in New Jersey (he knew many top figures in the Gambino crime family, but escaped the life to become first a policeman, then a celebrity bodyguard, and then a commercial diver). Kurston brings them and their story to life in a way that would make a great movie. There’s the exciting bits, the ambush in the Dominican where gunfire is exchanged, and the quiet parts, talking to old fishermen and doing research reading ship’s logs and newspaper articles in an off-the-beaten path library in Seville, Spain – a real life Da Vinci code scene. Pirate Hunters has so many twists, turns, false starts and crazy discoveries, it would make an amazing work of fiction or movie, yet it’s all true.

At the heart of their attempt to find the shipwreck is the mystery of Joseph Bannister – a career captain and pilot, highly successful and trusted. But one day, he “went pirate”. History is silent on why such a highly respected, successful captain would do such a thing. If you think it sounds like an episode of Black Sails, you’re not far wrong. Mattera ultimately develops a theory for what happened to Bannister, and, without giving anything away, this theory ultimately becomes a major turning point in their quest.

Pirate Hunters is a fantastic book. I read it in one sitting and I’m not sure I took a break. It’s about pirates and history and the thrill of the chase, but ultimately it’s about chasing your dreams and not settling for the easy way in life. Chatterton and Mattera almost give up more than once, and could easily be doing other things for less effort and more money, but they nearly sacrifice everything in their quest.

(ps: I love a book that points you to other great books. Pirate Hunters is a winner here too: Kurson points me to The Buccaneers of America, an amazing first-person contemporary account of Pirates. You can get the book for free online. The Library of Congress has also made an extremely interesting online version of the original book in Dutch with wonderful illustrations. It’s too cool, check it out: http://www.loc.gov/flash/pagebypage/buccaneers/)

(I received a copy of Pirate Hunters through LibraryThing’s wonderful Early Reviewers program, in exchange for a review. )

Dying Every Day, by James Romm

d“Nero fiddled while Rome burned…” You probably have this phrase running around in your head, even though you mostly have no idea who Nero was. It’s even less likely you know who Seneca was.

James Romm’s “Dying Every Day” is an accessible and intriguing biography of Seneca, the man behind the throne during the reign of Nero. Seneca is a study in contradictions: a Stoic philosopher, author of any number of letters, philosophical tracts and plays extolling the virtues of a simple, virtuous life, he was at the same time Nero’s “consigliere”, complicit in any number of foul deeds and deeply entrenched in the corrupt court of Nero. Intrigue, Poison and outright murder of political rivals was common. He was also present in the courts of Caligula and Claudius. The parallels to Thomas Cromwell as portrayed in Hilary Mantel’s “Wolf Hall” are striking.

I found the book deeply interesting and educational, and an easy read for a history book. The title comes from one of Seneca’s letters, “Consolation to Marcia”, in which he expounds the Stoic philosophy that to be born is to begin dying, and that death is always with us. “We are all of us dying every day”. But equally well might this apply to Seneca’s slow spiritual death, essentially trapped in his role as Nero’s right hand.

For years Seneca served first as Nero’s tutor during his early years, then as his primary counselor once Nero became emperor. There’s a great Greek word for this, from the book – Seneca was called a tyrannodidaskalos – “tyrant-teacher”.

I learned any number odd facts from the book. Seneca’s brother Gallio was proconsul of a territory in Greece where the apostle Paul was preaching, and after a disturbance Paul was brought before Gallio (who like Pilate “washed his hands” of the matter). (Paul was a Roman citizen by the way). Eventually Paul invoked his right as a citizen to an appeal before the emperor and was shipped to Rome. While there’s no documentation of a meeting it’s entirely likely Paul met the emperor, and there is evidence (somewhat sketchy) that Paul became friends with Seneca.

Seneca also became fabulously wealthy during his life (likely through questionable use of his office), and lent a great deal of money to tribal leaders in Roman Britain. The uprising of the tribes led by the woman warrior Boudicca can be traced to Seneca calling in his loans.

The book chronicles the twists and turns of life at court – the intrigues, the murders, and the shifting alliances that allowed one to stay alive when a wrong word would get you killed by the emperor or a rival. Along side that it covers Seneca’s writings and how they influence or were influenced by events. The book is well worth the read, but in the end I wasn’t entirely satisfied. Much of the book seems speculation (phrases like “he must have…” or “likely” crop up a lot) and I don’t feel I really got to the heart of the contradiction in Seneca’s character – but the historical facts are so spare, perhaps that has to wait for a work of fiction. There’s great material for a historical fiction novel in there….

It’s right under your nose…

Ancient castles set in lofty cliffs. (Game of Thrones, right?). Mountaintop signal fires communicating to settlements a hundred miles away. (Lord of the Rings movie, right?). Ancient roads running miles in a straight line, now hidden to all eyes except experts. And supporting a system of empire and tribute. (Ancient Rome, you’re thinking…). Hybridized Corn. (X-files, anyone?). Ritual cannibalism (New Guinea?). Pottery that will steal your breath it’s so beautiful. (Ancient Greece?). Use of geologic features and stone construction to support Astronomical events guiding religious ceremonies? (Stonehenge???). Underground rooms, home of rituals and dances, and settlements lost in the wilderness for a thousand years, found pristine by ranchers looking for lost cattle…..all this and more is right under your nose here in America, in the southwest near “4 corners”, where Utah, Colorado, New Mexico and Arizona meet, the home of the Chaco culture, aka the Anasazi, aka “the Ancestral Puebloans”, as they are now called. It’s amazing how many Americans don’t know about this truly unique aspect of the history of the country they live in.

We’re just back from a duo of great trips. The first was my daughter’s wedding, which was simply awesome. Enough said.

Immediately following, Michelle and I went on an exploring trip with our old friends Thomas Jensen and Lynn Thorsen-Jensen. Both accomplished tech executives, published fiction writers, fencers, and amazingly well-versed historians. It’s enough to give a person an inferiority complex. Thomas in particular seems to know everything there is to know about English history (especially the medieval period), as well as being a near-expert (and I’m not sure about the qualifier) on the history of the ancient Southwest, the purpose of our trip.

We saw an amazing set of things. Flying into Durango, we were wisked off to Mesa Verde, home of the most famous of cliff dwellings, Cliff Palace (which is closed for renovations). First up is Balcony House. A couple of ladder climbs (30′ and 60′ !!!) later, we’re looking out over the valley from our own cliff house. Amazing that people lived here. Indiana Jones features: a tunnel leading both into and out of the cliff-house – this would not have been easy to attack, and indeed it’s believed that the move into cliff houses (from the mesa top) was primarily a defensive move, during a time when drought made competition for food an ugly business.

Through a happy set of circumstances, we were able to get a tour through Square Tower House, only open 5 times a year. Underneath a huge cliff overhang, with a natural water flow into the compound, Square Tower is an incredible fortress. (see the crow’s nest up there?).

Then it’s off to Spruce Tree House, and enormous complex with 130 rooms that goes back into a cave nearly a small city-block. And had 130 rooms and 8 kivas (underground rooms for ceremonies and living space.)

After doing more hiking and touring, we’re off to Hovenweep, one of the loneliest places I’ve ever been. (Hovenweep is Ute for “deserted valley”, so it seems appropriate). The Anasazi fled here from Mesa Verde and other places, fleeing the drought and conflict from further south. I’ve been here twice, and the first time I was literally the only one there, miles and miles. Closest I ever came to hearing ghosts. This time, the sun is up, and I have people with me. A bit less spooky but still amazing. And it’s spring in the desert – I’ve been out here a lot and I’ve NEVER seen the flowers like this before. And lots of turkeys! The Anasazi kept domesticated turkey as a food source.

Finally we’re off to Chimney Rock. Settled in the early 900s, a Chacoan Great House was built on the peak likely near 1076 AD, as the northernmost outpost of the Chacoan empire. I used the term empire advisedly as not every agrees there was an empire. But it seems likely. It’s established that signal fires, smoke and mirrors were used to communicate between the Great House and Chaco canyon 85 miles away (http://stevelekson.com/2011/09/09/regional-scales-how-big-was-chaco-%E2%80%A6-and-does-it-matter/). And the imposing presence of the Great House at the top of the mountain, when green and fertile river earth was available in direct sight, clearly indicates an imposing presence (military / religious empire?), rather than simply a good place to live. In addition it’s also established that the moon rises between the twin spires of Chimney Rock every 18.6 years during the Lunar Standstill, likely guiding religious ceremonies as well as planting seasons. (http://www.chimneyrockco.org/mls.php).

Finally, after our fill of ancient history, we’re back to the “modern” era – a last night at the Strater Hotel in Durango. The Strater is a old west hotel – the Diamond Belle saloon, period furniture and history of unique guests. Louis L’Amour wrote a number of his novels here. We content ourselves with a last night of bridge (we’ve been playing every night and I’ve been getting cards like I’ve never seen before). The hotel graciously finds us a room in the basement to play – wow – it’s filled with green velvet, vintage photos and mirrors – I feel like I’ve wandered onto a an old-west poker movie set. And, there’s a bluegrass band warming up next door. Too cool!

Struggling with a conundrum? Looking for insight? Take a few days off. The answer might be right under your nose….

And if you want insight into the Ancestral Puebloans, you could do much worse than House of Rain, by Craig Childs.

Diary of a Kickstarter: Postmortem, Part II. In which I open the kimono. Again.

(as a reminder in case this is your first exposure to The Hawaii Project: The Hawaii Project brings you books and book news you’d never have found on your own, by tracking hand-selected sources of great books, uncovering things that match your favorite authors, personal interests and current events, and bringing them to you daily. 10% of our revenue goes to 3 great literacy non-profits. Check us out:http://www.thehawaiiproject.com. You can see our Kickstarter page here. This is Part II of the Post Mortem. Part I is here. As before, the TL/DR version is in bold.This is a LONG post with lots of juicy details. You may want to fortify yourself with a cup of coffee or a glass of Scotch. You’ve been warned.)

There’s a million Kickstarter success stories out there. I call it success porn. I wanted to write a post about one that didn’t make it. Failure is often more instructive than success. This post is mostly about how I went about promoting the Kickstarter after the material was developed. We’re going to cover Stakeholder Mapping, a model for Kickstarter goal setting, how to get press, when to launch your kickstarter, how to manage spamming (uh, I mean emailing your supporters), Social Media, Tools and some tactics and final learnings.

Stakeholders

In part I, I made the point that Kickstarter isn’t likely to generate a lot of audience or potential donors for you, you get the audience you create (about 10% of my pledges were generated by Kickstarter, vs. by me). So you need to figure out who all the people are who’ll care about your project, and why they’ll care about it. This will form the basis of how you approach them and why they’ll end up contributing. Some folks call that Stakeholder Mapping. The Stakeholder map for the books space is pretty multi-faceted, books are a big industry. Here’s my set of stakeholders, and a rough pitch I would give them.

  • Family & Friends (“Help Mark with his new project – it’s a good cause”)
  • Readers (“find great books (and articles about them) to read”)
  • Authors & Publicists (“use The Hawaii Project to help promote your author’s books, and keep up with what’s going on”)
  • Libraries & Librarians (“Help your patrons find great books”) – and, they just love all things Bookish
  • Physical Bookstores (“Create a location-based presence inside The Hawaii Project to connect with book buyers in your city”)
  • Publishing Houses (“Promote your books; keep up with what’s going on; who’s writing about what”)
  • Startup community (“New startup from Boston / Hawaii entrepreneur Mark, the co-founder of goby”)
  • Non-profits (mostly my literacy non-profit partners, but others as well) – “help promote THP and get more money”
  • Book Bloggers (“get your blog included in The Hawaii Project”; “your readers may be interested”; and the most avid of readers)
  • Book Clubs (“The Hawaii Project can help you find a great next book for your club”).

As you can see, it’s lots of folks and lots of potential angles & pitches. You should build a Stakeholder Map for your company. Think of every person, company or organization who might have an interest in what you’re doing. For almost all of these stakeholders I devised some method of approach to get them interested in the Kickstarter. You can also see it’s a lot of work to try to get in contact with that many people. If you’re a small team or a solo team, I’d suggesting building a stakeholder map but only focusing on the top 3 or so. I was also fortunate to connect up with a program at Emerson College, where a small team of marketing students work with a company on a media campaign as interns, so I had a great team of 6 students helping craft pitches and send emails (thank you!). But I was still spread too thin. Pick a few and focus. I tried to do too many.

Our key channels to reach people were email, press, social media and some online advertising. I’d like to dig into each channel I used and share a few tidbits, what worked, what didn’t, and why.

Going back to the “how much to raise question”, I built a model for how much I’d raise, based on how many people I could drive to the campaign. You can see the spreadsheet here: https://docs.google.com/spreadsheets/d/1mEw-_Rso7xU2mswREQMEDn6tP17ALo3fcb_f4ZqWWqs/edit?usp=sharing. The key assumptions are how many people (in a variety of buckets), and what % of them would “convert” – i.e. hear about us and pledge. Your conversion rate is likely to vary a lot based on where these people come from.

My model said I’d raise ~$35,000 so I set that as my goal. I got pledges of ~$11,500. Way short. Here’s why:

Key takeaways: Pledges were uniformly higher than I modeled (average pledge was $77), and generally far fewer in number. I pretty much matched my model on “Friends & Family” behavior, and my extended network did ok too – the place I really fell down was on pledges from people I didn’t have a relationship with – i.e. pledges generated from press to social media. Authors did convert, but at a lower level than I expected. The personal shopper reward surprised me – even though I got less than my model, it was an invented thing at the last minute and indicates to me there might be a germ of a product or business model there.

Press generated about 10% of my pledges – the rest came from direct outreach. My model for press was that I would generate ~50,000 visits to my Kickstarter @ 1% conversion rate. That’s why the campaign didn’t succeed, ultimately. I think the main reason it worked out that way is most of the press I got was either “startup” oriented (“here’s a cool new startup”), or “location” oriented (“cool new Hawaii / Boston startup”). The readers of those articles aren’t necessarily avid book readers, my key target. In retrospect I should have focused much more intensively on book bloggers and press in the literature community, rather than the startup community. But, that community is where my relationships are, and much of my press came from people that I had a pre-existing relationship with. Because I botched the analytics (note above about including Google Analytics tag in your Kickstarter page), and because there’s no real way to know how many people read an article on a 3rd party website, it’s hard to measure conversion here, but the volume was way low.

Lining up Press.

A full tutorial on how to work with press is beyond the scope of this article. This is good starting advice. This is also good, especially: Robert Scoble’s answer. Key: have/make a relationship before you need coverage, be valuable to them outside your need for coverage, and be a nice human being. Just emailing a cold pitch to somebody who doesn’t know who you are generally doesn’t work very well.

To get press, you need to deliver an “angle” for them to write about. Why are they writing about you? I can’t be just “this is cool” – unless it’s INSANELY cool. Like,a Robot Bartender that makes Cocktails via a mobile phone cool. The Hawaii Project is cool but not that cool! In my case, the main storyline was usually location-based. The Boston community wanted to write about it because I’d previously done some very successful startups, the Hawaii community wanted to write about it because there aren’t that many Hawaii-oriented startups. That led to most of my press. You need to find your own angle, and “look how cool/great this is” isn’t enough. You have to connect to something bigger, whether it’s a hot current trend, an upcoming holiday (like an exercise machine coming just in time for New Year’s resolutions or something).

I started working a few press outlets about a month before I launched, but most of them I approached with the story about 1-2 weeks before launch. I’d recommend at least 2 weeks before your Kickstarter launch. These people are BUSY.

Put together a media kit. Key ingredients: Short Overview, Company Logo, Product Screenshots/Photos, Founder(s) Bio and HiRes Headshot photos, and links to any short product videos, and make sure journalists know where to get it. Make it easy for a writer to make an attractive article with some nice media. Video is awesome for this, if it’s high quality. (Here’s my video btw: https://vimeo.com/122595153)

You need to pick a day (and time) to launch your Kickstarter. Don’t do this randomly. If you’re trying to get press to cover your launch (and you should), you’ll want to have some press lined up before you commit to launch. And you’ll want to launch on a press-friendly day. Monday, everybody’s recovering from their weekend; Friday they’re getting ready for their weekend. Don’t launch on those days. Press folklore is that Tuesday is the right day to get press; I’d don’t have any better advice. In my case, I had some schedule constraints making me launch in early April. Couldn’t do April 1 – no end of trouble launching on April fool’s day. So I did Thursday April 2. Facepalm! Duh! It’s Easter weekend! By Friday noon, the internet is empty. Nobody’s home. Crap. Don’t be like me! Pick a good date when people will be able to pay attention! Also: a few folks recommended to me to launch very early in the morning (like, 5am east coast time) – the first 48 hours is critical, and this way you pick up European web traffic on the first day.

If you are able to get press, stay on that article. Respond to anyone who comments. Those comments will often be negative, there’s a lot of snark out there. Be Civil Stay positive, outline your point of view. You aren’t likely to change the mind of the person commenting, but your response will be out there for everyone else to see, and you’ll be In The Arena (my Rule #29). It’s also respectful to the author of the article – they took time to write, you take time to engage their community. And SEND THEM A THANK YOU NOTE!

A last note on press. Press and it’s step-child “backlinks” are critical for SEO(SEO is the art & science of getting your pages to rank well in Google searches). Google uses those back links to determine the importance of a site or page. In my case, when the Kickstarter began, our home page for The Hawaii Project was on page 10 of a search for “the hawaii project” on google. Seriously. After the Kickstarter was over, and the press had come out, linking to our site, we were on the 1st page of results! The Kickstarter page is the #1 result – I’d rather it was my home page, but it’s still us in some sense. This leads to one major difference I have with the Four Hour Workweek / SOMAWater approach. They suggest building a custom bitly link with + sign in it, so you can get analytics – e.g. bit.ly/somawater. I advocate this instead: build your own link on your own domain (I used http://www.thehawaiiproject.com/kickstarter), put google analytics in the page, and then redirect to the Kickstarter page. This way, all those links that get posted around the web link to YOUR site, not BitLY or Kickstarter – and a year after your Kickstarter, they’ll be sending traffic to YOU, not Kickstarter. You get the SEO value. (details: I created a web page with the Google analytics script tag, followed by a javascript call like 

“window.location = “https://www.kickstarter.com/projects/51424615/the-hawaii-project-find-your-perfect-beach-book”; that way the google analytics tracking fires, then the user gets automatically sent to the Kickstarter page).

Your Mileage May Vary.

Email.

I’m old. OK “old” is relative. But I’m over 50 – which means I’ve met a lot of people in my life. I built a master email list as follows: first, you can export every single email address you’ve ever mailed with from gmail. I did that for my personal email account as well as my “goby” account. That added up to about 5000 people; after I removed the random junk and only included people I’d crossed paths with more than once, and combined that with my LinkedIn and Facebook contacts, I had about 2500 people with whom I had some kind of relationship, however tenuous. Yes I did this by hand, 1 by 1. Yes it was a pain in the ***.

That’s why they call it work.

I segmented them into how I knew them, took the email templates from the SOMA water campaign which raised $100k (you can find it here), and customized them for each of my audiences. I did mails on days 1,2 and 9 as they suggested. I also followed their suggestion (and their web templates) for the sharing page. That worked well and I got a lot of shares from that. Make it easy for people to help you.

I also wanted to reach authors, agents and librarians. I found a few websites that listed contact information for literary agents, and scraped them for names/emails. I wrote my own scrapers but if you’re non-technical Import.IO is a good choice for a tool to do it for you. I also found a site listing the email address for every librarian in the state of Massachusetts, so I scraped that too. (In my next life I’m coming back as a spammer). I sent mails to 1300 literary agents (some by hand, mostly by SendGrid, see below), 25% of them opened the mail and 3.75% of them clicked to the Kickstarter. 2 of them converted to pledges, and 10 or so became beta testers. The conversion rate was terrible but I learned a great deal by talking to those who pledged. I sent about 500 mails to librarians, but I botched the tracking (I send plaintext instead of HTML mail) so I don’t know the open rate on the mails, but about 10 librarians turned into beta testers and one looks like they may to license our software for their library. Takeaway: I learned a lot, but open rates and conversion from email that probably seemed like “spam” to the recipient, isn’t the way to get lots of funding, and least for my project.

A note on email tools. Most email providers (e.g. Gmail) will only let you send a few hundred mails a day from a personal account. That’s not enough for this kind of work, and if you’re sending large volumes of mail (aka “spamming your friends”) you may not want to risk your personal email account. In my product I use Mandrill for programmatically generated, personalized emails. It’s a great tool, but the mail mostly ends up in people’s “Promotions” tab in gmail, where I suspect it’s often not even seen, much less opened. I paid $80 / month for SendGrid during the campaign, and SendGrid seems to land the emails right in the primary inbox every time. If you can afford it, I’d use SendGrid. It’s a much less mature tool than MailChimp or Mandrill, especially for developing marketing-oriented (ie. non-transactional) mails, but the deliverability/visibility seems worth it to me. My day 2 mail I sent to all ~2300 people at once and got a 50% open rate; I’ve never seen anything that high with MailChimp or Mandrill, even for recipients with whom I have a good relationship. Your mileage may vary.

Social Media

The Hawaii Project is on Twitter and Facebook. I posted pretty aggressively on Twitter, less so on Facebook. I didn’t see much tangible outcome from that. I’d pick one social media channel as the place where you build your brand and stick to it. Buffer is a great too for making Social Media posting more efficient. If I had 2,000 friends on Facebook the way younger folks seem to, I would have leaned more on that. Center yourself on whatever social media platform you have the most presence on.

A friend suggested I do a daily blog post of what happened each day of the Kickstarter. That turned out to be a really good idea. I did that and posted on bothmy personal blog and LinkedIn. LinkedIn turns out to be a great idea. Over the course of the Kickstarter I picked up ~1000 followers on Linkedin, and gained 6% of my pledges from that source alone.

Online Advertising

I ran ads for the Kickstarter on both Google and Facebook (at small $ levels, to test).TL/DR: it didn’t work for me. you might be able to “arbitrage” your way to Kickstarter success I suppose (i.e. where the cost of the ads is smaller than the pledges received), but I wasn’t able to. On both Google and Facebook I used targeting to select only either bookish sites or people with bookish interests. Stats:

Facebook:

Cost: $50
Clicks: 161
CPC: $0.31
Reach: 14,432 views/impressions
Effective CPM: ~$3.50
Conversion rate: 0.

I got “likes” on Facebook, but no pledges.

Google had a lower CPC and more reach, but also didn’t convert. It’s possible that my spend was too small and that if I’d kept going I would have started to see conversions, but I wasn’t encouraged by my initial results and didn’t try any more. Another potential approach might have been to go to a Sponsored Content provider like Taboola or Outbrain; I didn’t try it.

Tools & Costs

Here are the key tools you shouldn’t run a campaign without:

SendGrid  for sending high volume email campaigns (Mailchimp or Mandrill are fine, I just found SendGrid has solved the gmail “tabs” problem, for significantly higher open rates)
Buffer for automating social media posting & analytics
Text Expander – typing automation. You’re going to find yourself doing a lot of repetitive typing during a Kickstarter, sending mails, responding, typing out links and stuff. Text Expander is a life (and wrist!) saver.
KickTraq – Kickstarter 3rd party tracking tool – multiple folks recommended I embed the link to this in my campaign on Day 1, claiming it lends higher credibility (not sure about this) and good analytics (true). YMMV. My Kicktraq page is here.
VistaPrint – for printing physical marketing material – I used it to print branded Bookmarks and distribute them at local bookstores and libraries. Can’t track any pledges to it, but can track beta testers to it.
Google Analytics – or other web tracking tools like MixPanel, etc. Make sure all your web pages are instrumented and tagged so you can track performance and see what’s working. Make sure you put a Google Analytics tag in your Kickstarter page configuration.
Prefinery – if you’re going to be providing beta access and need to manage your beta tester list, Prefinery is awesome.  You may want to try a marketing landing page generator/optimizer like Optimizely or LaunchRocket or ….. etc. I didn’t.
Import.IO – you may find you want to collect a large volume of semi-structured information from other people’s web pages, for example to collect email addresses. Import.IO is a great tool for that if you don’t want to write your own scrapers.

Costs: I spent about $1000 on the Kickstarter – for video production, stock photos, costs for various tools like SendGrid, and for custom bookmarks I gave out at bookstores. Obviously if the campaign had been successful I would have had more cost involving in delivering the rewards.

What I learned about my product

Running a Kickstarter is a great way to get feedback, even if you don’t get the $.

I heard from a lot of people that they have trouble finding great books to read and are hungry for a solution. And that Amazon, GoodReads et.al. weren’t the solution. That was encouraging. I also heard from people that Amazon and Goodreads were just fine for that, so continued sharpening of the pitch is called for. And getting it out there so they can just try it. I am thinking of playing up the “news / content” aspect of The Hawaii Project – i.e. it’s not just book recommendations, it’s also a sort of “bookish magazine” that gets you fun books-related content –  as further differentiation.

“The Hawaii Project” as a name is a double-edged sword. It got me a lot of attention and fun stuff, but it also caused a periodic “Why is it called The Hawaii Project” question. In the end it gave me something to talk about, and adds some color to the project, so I don’t regret it. I may consider rebranding at some point in the future. (dangit – right after I built up that SEO value in the domain name). But not sure yet. I’m emotionally attached to the name.

I had trouble gaining pledges from outside my personal circle. That could either be because a) there isn’t demand in the market for this, or b) I didn’t get to the right people in the campaign. Option a) deserves due consideration and evaluation, but I lean towards b) as the explanation. In retrospect I wish I’d spent far more time getting book bloggers to write about the service, because their audience is my audience – people who want to read about interesting books. And I wish I’d found a way to energize authors more to evangelize the platform to their readers. I plan to spend much more time on book bloggers between now and my public launch. The authors I spoke with were enthusiastic, but the question is whether I have enough users to actually help them. Authors, I think, will come along once I have more of an audience.

Finally, and I’ve said this in previous posts, the project will go on even though the Kickstarter wasn’t successful. I hope you’ll join me along the way.