Mission to Paris, by Alan Furst

Through the LibraryThing Early Reviewers program, I was fortunate enough to receive a pre-release copy of Mission to Paris, a new novel from highly regarded historical spy novelist Alan Furst. Furst specializes in World War II era fiction. Having reviewed other books in the program from less-established authors, starting Mission to Paris was like slipping into a warm bath – the prose fluid and accessible, without a jarring phrasing or word out of place.

Mission to Paris is the story of a somewhat famous actor’s trip to Paris, shortly before the outbreak of World War II. Fredric Stahl is Viennese-born, but lives in Hollywood now. As part of a cross-Studio movie deal, he finds himself sent to Paris to film a movie. A famous actor turned spy (this is a spy novel) could easily turn to cliché, but Furst easily humanizes Stahl, while staying true to the perks that would come with being a well-known actor. As Stahl crosses the Atlantic on an ocean liner, he finds himself on a deck chair with his arms around a married woman (Stahl is unsurprisingly successful with the ladies). And yet:

“They lay together on the deck chair, she in formal gown, he in tuxedo, the warmth of her body welcome on the chilly night, the soft weight of her breast, resting gently against him, a promise that wouldn’t be kept but a sweet promise just the same. Edith, he thought. Or was it Edna?”

In two sentences, Stahl is rendered as maybe a cad for potentially sleeping with a married woman, a typical actor who doesn’t even remember the names of women he’s with, and yet he sends her back to her husband without taking advantage.

Furst effortlessly re-creates the era. Starting the story on an ocean liner immediately creates context. The attention to period detail is deep without being boring. Furst includes verbatim a daily ship’s newsletter (I assume it is fictional), with world news (Neville Chamberlain meeting with Hitler, preparing to sell out Czechoslovakia) and sport news (Whizzer White the football player injured) right next to tomorrow’s shuffleboard schedule.

Pre-war Paris is also quickly and effortlessly evoked. Within pages, you are ensconced in a cafe tasting the croissants, out and about on the warm September Paris evenings….

“Walking slowly, looking at everything, he couldn’t get enough of the Parisian air: it smelled of a thousand years of rain dropping on stone, smelled of rough black tobacco and garlic and drains, of perfume, of potatoes frying in fat. A warm evening, people were out, the bistros crowded and noisy.”

And yet, bad things are afoot.

“On the wall of a newspaper kiosk, closed down for the night, the day’s front page headlines were still posted: CZECHOSLOVAKIA DECLARES STATE OF EMERGENCY.”

Mission to Paris is about the fall of Paris. Germany militancy is rising, and there are two camps in Paris, those who want to resist Germany and those who do not. Those who do not speak the language of peace: Rapprochement, Mutual Respect, Reconciliation, Peace, “avoid war at any cost”. But the implication – Capitulation – is painfully clear. Any many of those on the side of “Rapprochement” are wittingly or unwittingly in the service of the Germans.

What mission to Paris is really about is how easily one can be seduced to the wrong side by fair words, noble concepts and good intentions, together with bribes disguised as “speaking fees” or advertising budgets, and ultimately it’s about the lies one tells oneself to sleep at night.

Many well-known names are named by Furst as working to bring down the French Government – Taittinger of the famous Champagne, Hennessy of the famous Cognac, the Michelin brothers who led the tire empire. It’s almost painful to listen to the cocktail party chatter about the benefits of peace and avoiding war at any cost with the Germans, knowing what horror the Nazis will bring to the world. Stahl chooses sides – the right one – but as a famous personality is constantly beset by forces from both sides that want to use him. Along the way, he finds love, adventure, and the courage to do what’s necessary.

If you like historical fiction or spy novels, you will not be disappointed. Mission to Paris reads smoothly and rapidly with great characters and period detail, and, as with all great historical fiction, contains lessons and perspective for today’s world as well.

Hiking Pu’u Manamana Solo

It’s four days later and my legs are still sore.

Puu Manamana _0028_09-54-54

My family has the luxury of getting to Hawaii every few years, and I always try to find one physically challenging thing to do when I’m there, usually a hike. I’d been reading around the web looking for inspiration, in particular trolling goby.com, scout.me, and the wonderful and highly recommended http://www.unrealhawaii.com, where I ran across some amazing photos of the Pu’u Manamana trail, often referred to as “the most dangerous hike in Hawaii”. I’m a moderately experienced hiker and backpacker, so I wasn’t completely put off by that, but did have a bit of trepidation. Also, nobody else in my family had much interest in a death march (our climb of Kuli’ou’ou Ridge a few years ago was their limit) so I’d be hiking solo. While hiking solo isn’t generally recommended, there a few things I love about it. First, you go at your own pace. Race ahead when you’re feeling good, rest when you’re tired. It really forces you to drive yourself – there’s nobody to set the pace, or encourage you – you’re here because you want to be. The second thing is that you can hear yourself think when you hike solo. You learn a lot about yourself when you have six hours of nothing but silence, you get a lot of time to sort things out, and insights come on the trail that don’t come in other places.

After stewing on it for a few days, I decided, “no guts no glory”, and besides, how bad could be it be? For god’s sake there are Yelp reviews of the trail! My other problem: equipment. Normally for a hike like this I’d have my hiking boots (left back in Boston) and a camelback for sufficient water. I had a 10 year old pair of running shoes, a couple of small Nalgenes, and a forecast of 40% chance of rain. Basically, breaking every rule in the hiking book: don’t hike dangerous trails alone, don’t hike in bad weather, and wear solid footwear. (I did end up carrying water (3 liters worth), most of it in plastic bottles from 7-11, and drank it all.)

Puu Manamana _0087_14-36-27I did a fair amount of reading about the trail. If you want to hike in Hawaii, the single must-have source is Stuart Ball’s The Hikers Guide to Oahu. Exquisitely detailed trail descriptions, driving directions, exhaustive enumeration of the local plant life, mythological/historical background, parking, even what bus stop is at the trail head. I later read elsewhere that Ball led the effort to create the Pu’u Manamana trail from the beginning and it shows in the care of his descriptions. The other very highly recommended source is the blog Island Trails, written by local hiking “celebrity” Kaleo Lancaster, who’s been hiking and writing about Hawaii trails for years.

Armed to the teeth with information on the trail, and told by my wife to turn back at the first sign of trouble, I got up at 7, drove north on Kamehameha Highway past the Crouching Lion Restaurant, parked, and was on the trail around 8:30.

First sign you might have bitten off more than you thought: literally 30 feet into the trail, there’s a climbing rope to help you get up the first “hill”. Uh-oh. As Ball says, this trail “becomes difficult right away and then gets worse”. A number of spots on the trail really don’t qualify as hikes, they are more like climbs. Nothing insurmountable, just be aware if you hike this trail you will have to climb some rock faces (not more than 15 feet or so, with cables for assistance). In the good news department, the forecasted rain was nowhere to be seen, good blue skies and a few clouds!

Puu Manamana _0001_08-23-46 The trail climbs immediately and steeply and you get some great views very quickly. After about 15 minutes you get a great view on an ancient Hawaiian fish pond. It’s a walled off area of Kahana Bay for trapping/holding fish. When I started the trail, it was low tide, and the walls were clearly well above water. Returning later when the tide had come in, the walls were submerged. While I don’t know this for a fact, I wonder if the Hawaiians built the wall at the right height for the tide, so that fish would swim or be swept into the pool at high tide, and trapped when the tide when out. If so, very clever.

Puu Manamana _0007_08-42-56The trail really does rise quickly – after 30 minutes of climbing, you can look down on Crouching Lion rock (for which the restaurant underneath it is named), and have a dazzling view southward toward Kaneohe. Puu Manamana _0009_08-59-32

The trail is a 2100 foot climb, a 4 mile round trip hike, and nary a single switchback to be found. It’s literally straight up the knife-edge ridge – most of the trail is like this,Puu Manamana _0006_08-37-06 with some dizzying looks backward down the trail you just came up. Puu Manamana _0012_09-10-50

After about an hour to an hour and a half of solid climbing, you’ll come to the first major knife-edge ridge that makes this trail famous and dangerous. When I came over a hump and first saw this ridge, I literally laughed out loud in amazement, the first time I can ever remember doing that hiking.Puu Manamana _0029_09-55-02 As you walk across it, the ridge is about 4 feet wide and 500 feet or so straight down on either side – this is a photo looking down at my feet. Puu Manamana _0026_09-48-00It seems crazy and scary – but at the same time, it’s about the width of a sidewalk and I don’t fall off sidewalks much. Just pay complete attention, pay the mountain the respect it deserves, and you’ll be fine.

Here’s a view looking backward at that ridge. Gnarly. Did I really just walk across that?! Note the cable against the rocks, top left. Puu Manamana _0028_09-54-54You will come down those rocks backward and you’ll need the cable, it’s about 15 feet high. There are 5 or 6 cables or ropes along the trail at various “interesting” spots. As of this writing, June 2012, every cable I encountered was very solidly in place – but as Reagan said, “Trust, but Verify”. You are literally betting your life on them – test them before you put your weight on them! This particular ridge is one of the highlights of the trail, if you were pressed for time and/or uncertain about proceeding (later parts get worse), this is a reasonable place to turn around. As Ball says, “there’s no shame in turning around if you don’t like what you see”.

Puu Manamana _0036_10-14-42Keep climbing steadily for another couple of hours along the ridge, including some very muddy spots, and before long you’ll hit the summit of the trail, called Turnover, where there’s a small clearing and some grass that makes a perfect lunch spot. It’s also a great place to try to find your legs, after the steep climb. There are some amazing views of the Koolau mountain range to the west and north. Puu Manamana _0048_11-00-20 Looking northwest you see what looks to me like the Koolau Summit Trail, a trail that seems to be at the top of the world. Puu Manamana _0063_12-03-46 You also have great views down into Kahana valley, where portions of Jurassic Park were filmed. Still, the modern world is making its inroads as well. I had cell coverage at the summit and was able to a) text my wife and let her know I was ok, and b) be the second person in history to check in on Foursquare at Pu’u Manamana.

Puu Manamana _0075_13-07-02Then, it’s time for the descent. Take the other fork in the trail near Turnover for what Ball calls the “hair-raising descent”. You’ll drop 2000 feet in one mile! If I remember my trig that’s like a sustained 36 degrees over a mile….on a knife edge ridge that in many cases is about a foot wide. This photo is deceptive, it looks level, but in reality it is a 45 degree angle downwards. In many cases I was literally swinging from tree to tree to get down the hill, particularly since my thighs were completely shredded by the end of the trail. Along the way, if you can spare the attention to look around, there’s some beautiful flowers.
Puu Manamana _0044_10-42-37
Puu Manamana _0072_12-56-11
I had thought my legs were ok at the summit, didn’t feel too bad, but by halfway down the back half of the loop trail, my legs were complete jelly. I though I was going to literally fall down, and I was having a hard time stopping my descent.

Puu Manamana _0080_14-23-36Near the foot of the trail is a Mormon graveyard, described in detail by Ball, where victims of the 1946 tsunami are interred. Wandering around, there are apparently chickens too, as I ran across an egg just randomly lying on the ground. Shortly past the graveyard you come out of the woods and onto an open, flat (thank god!) green field in a small neighborhood, and from there to the road and back to your car. By this time my legs were so weak, I was stumbling around the open field like a drunk, hoping nobody called the police. I was weaving a like a sailor just off a boat, back on flat earth.

Pu’u Manamana is an amazing hike. Crazy climbing, knife edge ridges, wonderful views, beautiful plants. But it’s a beast. I’m a reasonably experienced hiker, in my late forties, although I don’t do a lot of cardio. The trail took me six hours total, on the trail at 8:30 and off the trail by 2:20. Four hours to get to the summit, two heart-pounding leg-grinding hours to get down. Younger legs would probably go faster, and also as I was hiking solo, I was being very careful not to turn an ankle, which wouldn’t be hard on this trail. If you’re tempted to try the hike, my recommendation: if you’re an experienced hiker and not afraid of heights and some small climbing, go for it, you won’t be sorry. If you’re not an experienced hiker, have never hiked for more than a couple of hours in a stretch, or never summitted a big mountain, try something easier first.

A few specific recommendations. Take lots of water. I took 3 liters and drank it all. The ascent is steep, exposed, and hot. Get on the trail early. Be prepared for mud. My running shoes had to be “retired from the field of battle” after this hike.Puu Manamana _0088_14-45-47 If scratchy plants or bugs bother you – wear long pants. Much of trail is narrow, almost bushwhacking – you’ll be pushing through lots of scratchy plants.Puu Manamana _0085_14-34-04 Don’t walk and fool with your camera at the same time on this trail. Stop, take your picture, put up your camera, then hike again, concentrating on not falling to your death 8). Seriously. Respect this mountain like it’s your mother.

Finally, to complete the back-country experience, stop at Hygienic Market (which is anything but hygienic), a dirt-floor roadside country “store”, and grab a cold soda, some beer, or (seriously I saw this, Mad Dog 20/20). Then walk outside to one of the food trucks and grab some well-earned local food.

You can see all my pictures of the hike here on Flickr: http://www.flickr.com/photos/viking2917/sets/72157630050435434/show/

Hide Me Among the Graves, by Tim Powers

Tim Powers is the master of the historical magical fantasy novel. Weaving together fragments of historical truth with magical arcana, any Powers novel is a treat. Declare, for example, connected little known, but true, facts about Kim Philby, Lawrence of Arabia, and Communist Russia with djinn and demons to create a wonderfully atmospheric novel. In Hide Me Among the Graves, he does the same for the Victorian poets, Vampires, and Boudica, the early English queen of the Iceni who razed London when it was controlled by the Romans.

Christina Rossetti and Dante Gabriel Rossetti, also historical Victorian poets, are haunted by the vampiric ghost of John Polidori, the (historical) physician to Lord Byron, and author of one of the earliest Vampire stories in English. Being haunted by a Vampire, or bitten by one, seems to give one the power to create poetry of the highest quality, not accessible to normal humans. Byron, Shelley, and Algernon Swinburne (who figures prominently in the novel), all are under the sway of vampires, or are vampires themselves. The various excerpts of poetry selected as chapter headings by Powers definitely seem inspired by the direct experience of the supernatural.

The central characters of Hide Me Among the Graves are the veterinarian Crawford and former prostitute McKee, who had a daughter after being thrown together after an encounter with the supernatural, and try to save their daughter from the ghost of Polidori. Victorian England is painted vividly in the novel, and Crawford and McKee experience the usual supernatural trials that await any Tim Powers protagonists. They are assisted by the (again historical) Edward John Trelawny, the associate of Byron, who is himself trapped between the race of Vampires and humans.

As with most Powers’ novels, there is a well-developed and internally consistent logic to the supernatural and magic that drives the novel. The arcana of Vampires and magical talismans are carefully woven into real history. The result is a fine, enjoyable novel. Perhaps not of the same quality as Last Call or Declare, but close. If you love those novels you will enjoy Hide Me Among the Graves.

Daily playlist

The Daily Playlist…

iNexus – Insanity, via uDubstep.com
We’ve got a taste of INSANITY for the weekend here at uDubstep.com, in an incredibly massive release that was just put out for free by iNexus to celebrate 3,000 Facebook fans. 19 year old producer Tiago Nunez (iNexus) has been redefining the west coast dubstep game since he started… you’ll know just what we are talking […] iNexus – Insanity: the music>

read more

Distal: the music>

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KURT VILE, THE WAR ON DRUGS, REAL ESTATE [MONDAY THREESOME], via The Wild Honey Pie
Welcome to the Monday Threesome! This installment will examine a trio of artists who released exemplary records in 2011, each rooted in a similar sonic landscape. All three albums relied […] KURT VILE, THE WAR ON DRUGS, REAL ESTATE [MONDAY THREESOME]: the music>

AIRDROPS DROPS FIRST TRACK FROM DEBUT ALBUM [PREMIERE], via The Wild Honey Pie
Lots of people talk about music being the “soundtrack to their lives”, and while it’s true that certain songs and lyrics seem to perfectly capture the daily trials and emotions of the human condition, life’s more mundane activities could use some […] AIRDROPS DROPS FIRST TRACK FROM DEBUT ALBUM [PREMIERE]: the music>

BRANCHES’ THOU ART THE DREAM [7.3], via The Wild Honey Pie
Branches are the kind of band who charm you right from the start — it’s pretty hard not to love their cheerfully catchy melodies and subtle yet inspiring vocals. Having familiarized myself with their EPs, Cabin and O’ Light, I was […] BRANCHES’ THOU ART THE DREAM [7.3]: the music>

PRINCETON’S REMEMBRANCE OF THINGS TO COME [8.2], via The Wild Honey Pie
With Remembrance of Things To Come, Princeton has put forth their most innovative and ambitious effort to date. By teaming up with the Los Angeles’ New Music Ensemble, the four-piece, LA-based band has found a niche that brings […] PRINCETON’S REMEMBRANCE OF THINGS TO COME [8.2]: the music>

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Ian van Dahl – Castles In The Sky (The Frim Remix), via uDubstep.com
We needed an absolute BANGER for the weekend, and The Frim’s rework of a Euro trance classic from Ian van Dahl is just what the doctor ordered! The Frim is as underground as it gets in the dubstep world, but this little-known producer from Lyndonville, Vermont should get a boost from this massive release that only just dropped […] Ian van Dahl – Castles In The Sky (The Frim Remix): the music>

Swedish House Mafia & Knife Party – Antidote (Schoolboy Remix), via uDubstep.com
We’ve been waiting for an ill remix of SHM & Knify Party’s new track “Antidote” to land, and Schoolboy brings it out in a new freebie that is absolutely floor-shakingly MASSIVE! In our opinion, while the original was certainly huge… we always wanted a little more out of that drop. Los Angeles native Schoolboy gives […] Swedish House Mafia & Knife Party – Antidote (Schoolboy Remix): the music>

Smoothiesforme – Forbidden (System Remix), via uDubstep.com
This chill, lyrical track comes to you fresh from Elliot Berger (System) from Southeast England. System sticks primarily to club-friendly grooves in the dubstep and DnB arena… and for a guy who’s only been producing for a year, this remix of “Forbidden” is a an absolute show stopper. He hasn’t reached a very wide audience to […] Smoothiesforme – Forbidden (System Remix): the music>

The Killabits – Motown 2000 (Ft. Riggadale), via uDubstep.com
We hope you are prepared for this utter FILTH that The Killabits just dropped for free on their Facebook page. Sam KBz & Biz Davis (The Killabits) from Toronto, Canada have been smashing the scene for the past few years… and now have grown one of the biggest fan followings out there. With the motown styles […] The Killabits – Motown 2000 (Ft. Riggadale): the music>

Nervo – We’re All No One (Back From The Future Remix), via uDubstep.com
Get ready for a BANGIN‘ remix from Back From The Future, a producing duo out of San Diego, California, of Nervo’s “We’re All No One.” Cheyenne Giles and Joe Garcia (Back From The Future) have really gotten their feet off the ground this month, putting out several brand new dubstep tracks like this one that have […] Nervo – We’re All No One (Back From The Future Remix): the music>

Distal, via XLR8R Audio Podcast

Over the past year or so, few artists have popped up more frequently on XLR8R than Distal (a.k.a. Michael Rathbun). Part of that has to do with the 28-year-old beatmaker’s inherently prolific nature, as he’s quickly amassed a hearty discography that includes releases on labels such as Tectonic, Grizzly, Seclusiasis, and Fortified Audio, not to mention his own imprint, Embassy Recordings, which he runs in tandem with fellow Atlantan Mite. Yet Distal’s rise can be attributed to more than just the volume of his output, as his music is definitely of a high quality.

My favorite music of 2011

2011 was a pretty busy year for me. In between trying to raise funding for goby, as well as eventually selling the company to Telenav, I spent an enormous amount of time on the road. That gave me the opportunity to listen to huge quantities of new music, and to see some great music live. This year I really discovered electronic music in depth. I also re-developed a love for acoustic music, in particular roots and Americana….and continued to explore African and Middle Eastern music. Here are some of my favorites.

On one of my trips west, I stayed in San Francisco and got a chance to go to 1050 Folsom, one of the epicenters of west coast Dubstep in particular and electronic music in general. I saw Mary Anne Hobbs, one of the legends, and discovered Minnesota, and one of my favorites, Lorn. Check out one of his 2011 tracks, Obsidian – feels straight from the Blade Runner soundtrack. Subscribing to the newsletters of the electronic music labels is a great way to get free tracks and be introduced to a variety of cool artists – I found Mux Mool and his track Raw Gore that way.

Kraddy used to be a Glitch Mob member (more on them in a minute). His music’s been on near continuous rotation for me this year. He calls it Led Zeppelin 3000. Check out the mythologically-inspired Minotaur. Another great DJ/composer I ran across is Eskmo. He produced an amazing remixed setlist exclusively for Google music (check it out here). If you don’t have a Google Music account, have a listen to Moving Glowstream for a taste.

One of the pioneers of the dubstep movement, the nearly anonymous Burial, returned this year with an EP, full of dark atmospherics, beats and scratches, and spooky voices. If Aliens ran factories, Street Halo is what they would sound like.

Long timers Glitch Mob (with whom Kraddy used to play), also dropped an EP, We Can Make the World Stop. The anthemic We Can Make The World Stop is full of great melodies and powerful drops.

Battles’ first disc, Atlas, completely blew me away. Aliens would make music like this. If you haven’t heard the first disc, start here with Tonto. Groundbreaking stuff. They lost their lead singer, but returned with a second disc that, while perhaps not as a strong as Atlas, does contain some great tracks, like Futura.

OK. That’s enough electronic stuff. How about some music played on real live instruments and sung with real voices? Well, Fink provides a great transition. He used to be an electronic musician, but made the switch to acoustic guitar and put out a great disc this year, Perfect Darkness. Check out the title track, Perfect Darkness.

Gillian Welch and her collaborator Dave Rawlings have produced 5 albums, all of which feel like they would have been at home in the Great Depression or the Dust Bowl. They have some of the most heart-breaking lyrics, intricate guitar work, and hair-raising vocal harmonies being made today. If The Way It Goes is to your taste, get the full disc, The Harrow and the Harvest. The Civil Wars also burst onto the Americana/roots scene this year. Barton Hollow is a good place to start; more electrified than Welch & Rawlings, but cut from a similar cloth. I also had a chance to see Chris Pureka live at the Middle East in Cambridge. Burning Bridges is a great intro to her acoustic chops and powerful lyrics.

Indie band Dispatch regrouped and retoured this year, I saw them in Boston with my son, which was really cool. They threw off a few new songs as part of the effort, including Melon Bend. Seeing them in concert was really neat – since their last tour in 2002 they have really improved as musicians.

Well, the Occupy movement made big news this year. Occupy Boston was right down the street from the goby offices. Whatever you think of the movement, the spotlight shined on Wall Street and corporate corruption wasn’t pretty. Mark Knopfler was way ahead of these guys. Punish The Monkey was surely written about some mid-level manager in a Wall Street firm, about to get the whole thing pinned on him….

I had a chance to see some great Irish music live this year, in particular Solas at the Somerville Theater. I’ve since discovered John Doyle, who used to play with Solas. He has a great new disc out this year, and while Crooked Jack is from a previous disc, I think it’s the best introduction to his modern, yet traditional, Irish music.

Channeling traditional blues & soul singers from a bygone era, Adele took the market by storm this year. You probably don’t need me to tell you about her, but listen to Rumour Has It anyway.

Moving from someone everyone has heard of to someone nobody’s heard of. The oud is a fretless Arabic lute used in traditional music. Electrified, and in the hands of Mehdi Habbab, well, it’s anything but traditional – middle eastern rock with a hard-edged beat. Have a listen to some Algerian Rai, courtesy of Speed Caravan; the track is called Aissa Wah (Mo DJ Remix).


Finally, I had a chance to see Tinariwen at the Paradise this year. Tinariwen started as a Tuareg protest music band in Mali, and have since become something of a worldwide sensation in the world music community. I’ve been following them for awhile. One of my “bucket list” items is to see them play at the Festival in the Desert in Mali, but Al-Qaeda seems to be operating in Northern Mali at present so this year probably isn’t in the year. Aldachan Manin, from the Festival in the Desert CD, will have to do for now.

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